pic from goodreads.com
Plum Coyle is on the edge of adolescence. Her fourteenth birthday is approaching, when her old life and her old body will fall away, and she will become graceful, powerful, and at ease. The strength of the objects she stores in a briefcase under her bed —a crystal lamb, a yoyo, an antique watch, a coin —will make sure of it. Over the next couple of weeks, Plum’s life will change. Her beautiful neighbor Maureen will begin to show Plum how she might fly. The older brothers she adores will court catastrophe in worlds that she barely knows exist. And her friends, her worst enemies, will tease and test, smelling weakness. They will try to lead her on and take her down. BUTTERFLY is a gripping, disquieting, beautifully observed coming-of-age novel by an acclaimed author at the top of her form.

Amazing book. This is an Australian novel (which is sooooo cool OMG), which lent it a really awesome feel.

The descriptions were creative and spot-on, and the third-person present-tense narration made it seem detached and just so... perfect.

Look, this is really short, and I'm sorry, but you should seriously read this. Now.

Seriously.
Read More

That basically says it all. I really want to thank everyone for reading this humble little blog. 2012 has been a wonderful whirlwind of a year!

Happy holidays to all of you and a happy new year! Stay tuned for more blog posts!
Read More
from indiebound.org
In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut—young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.

Ender's skills make him a leader in school and respected in the Battle Room, where children play at mock battles in zero gravity. Yet growing up in an artificial community of young soldiers Ender suffers greatly from isolation, rivalry from his peers, pressure from the adult teachers, and an unsettling fear of the alien invaders. His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister.

Is Ender the general Earth needs? But Ender is not the only result of the genetic experiments. The war with the Buggers has been raging for a hundred years, and the quest for the perfect general has been underway for almost as long. Ender's two older siblings are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world. If, that is, the world survives.


Wow. Just... wow. This book was so deep and powerful that I cannot say anything. And yet I must. For the sake of my readers... or lack thereof.

Ender - it's impossible to describe Ender. I don't want to say that I love him, or pity him, or hate him, or anything. I just connected with him so well that I can't say anything but that - I am Ender. Everything he felt in the book, I have felt, maybe less drastically but still, at one time in my life. Orson Scott Card has truly done an amazing job at creating a person who is so like a person that it made my heart just.... ache.

The premise is also very well-done. I mean, it's creative, even by today's standards! The Battle Room was an amazing thing to imagine and... wow... I mean, it's serious. Seriously amazing. Awesome. Whatever.

I'm on vacation so my brain has been turned off, pretty much. One thing - read it now, please.
Read More
Peter is thrilled to join his parents on an expedition to Greenland, where his father studies global warming. Peter will get to skip school, drive a dogsled, and - finally - share in his dad's adventures. But on the ice cap, Peter struggles to understand a series of visions that both frighten and entice him.

Thea has never seen the sun. Her extraordinary people, suspected of witchcraft and nearly driven to extinction, have retreated to a secret world they've built deep inside the arctic ice. As Thea dreams of a path to the earth's surface, Peter's search for answers brings him ever closer to her hidden home.

I read When You Reach Me first. First Light has the same element of science mixed in with a realistic setting, a really nice read.

The story was very well-plotted, though I couldn't help liking Thea's world, Gracehope, a little better. It has a very interesting matriarchy that I think is really creative. A lot of symbolism is involved, as well as some intricate more fantasy elements.

The bonds of friendship across such impossible boundaries were very powerful. The alien aspects of each new world were extremely well-written, and the way the characters adjusted together in each new situation was very heartwarming. Overall, I liked When You Reach Me better, but this is definitely worth reading for anyone who's looking for something decidedly new. :D
Read More
So this is a two-piece package post, of two photo edits that I did on PicMonkey.


This is "In Fear of the Witch". The look is partly inspired by Elphaba in Wicked - which is a great book, BTW. The I made it using this picture on deviantART - http://crushedovernight.deviantart.com/art/fawn-30631646.

On that note, I have a dA now! Check it out at http://epicalnerdybunny.deviantart.com/. It's a stock account and I'll be posting backgrounds and such.

And the next one:


This one is a bit more creepy, I guess. This one is called "Demon Witch". It was made using this stock image on dA - http://liam-stock.deviantart.com/gallery/11244543#/d24uozr

Hope that was good!
Read More

This is another bunny piece. That's a very intrepid news reporter right there :D

Art policy is the same as always, though I would love some feedback!
Read More

This is more surreal, and it's hard to tel what it is at a glance. But I think it turned out okay.

Remember, whatever you use it on, abide the Creative Commons rules. Writing prompts and art prompts - go for it!
Read More
Pic from Wikipedia
The day after they moved in, Coraline went exploring....
In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close.

The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

Only it's different.

At first, things seem marvelous in the other flat. The food is better. The toy box is filled with wind-up angels that flutter around the bedroom, books whose pictures writhe and crawl and shimmer, little dinosaur skulls that chatter their teeth. But there's another mother, and another father, and they want Coraline to stay with them and be their little girl. They want to
change her and never let her go.

Other children are trapped there as well, lost souls behind the mirrors. Coraline is their only hope of rescue. She will have to fight with all her wits and all the tools she can find if she is to save the lost children, her ordinary life, and herself.

I saw the movie first when I was younger and it freaked me out a lot. Now, the book freaked me out a little less. A little. Just a very little.

It had the same sort of quality as a Grimm fairy tale in that it had a sort of spindly horror to it. It wasn't so much bloody or gruesome as quietly scary. The idea of having an "other mother" who would eat you alive... *shudder* The descriptions were so, so creepy. Just... so creepy. The whole mood was made to make your skin crawl a bit.

And yet I loved Coraline. She was plucky and resourceful and believable. I wanted to stick with her, even as she confronted the other mother and she went right into the other flat without complaining or thinking about fear. She did what I wish I would've been able to do, but it was all so realistic. Her thoughts were genuinely childlike but not naive. She was one of the better protagonists I've read, definitely.

The cat, too. He was awesome. His mildly sardonic comments made it entertaining and he was a really, really good supporting character.

The villain - the other mother - let's not talk about her. She's creepy enough without me having to elaborate.

PS: The illustrations capture it perfectly. They are scary. :)

I would say go for it if you're ready for a little creepiness.
Read More
I hate this dress! Māma loves it, though, and twirls me around yet again to get a look at my impossibly low neckline and bare shoulders. She squeals like a child playing with her dolls, and I can’t help but smile.

“Oh, you are just perfect! You’ll get a nánpéngyou in no time!” she skips around with glee. “Boyfriend, boyfriend, Chang will find a boyfriend,” she trills in a singsong voice. I glance fearfully in the mirror and stare at the intensely revealing neckline. I’ve always tried to dress more like my stepsister, Fen, but this seduction stuff is so sordid and underhanded that I’ve never been good at it. How can modesty be considered such a crime? Fen has been through twenty-some nánpéngyous already, and she’s fourteen, going on fifteen. Almost two years younger than me.

“Where did you find this again?” Māma and I talk like friends rather than a mother and her daughter, and she doesn’t notice at all. “This fabric is kind of…garish.” I wince at how much of an understatement that is.
“I ordered it myself from the emperor’s clothing supplier,” Māma replies, slightly miffed. “And it is not garish, Chang nǚ'ér. My daughter must wear only the best, most avant-garde fashion for her prospective husbands.” I look at the mirror more intently and try to adjust my posture to make the neckline appear a little higher. This is avant-garde? For the Emperor’s sake, I look like a jìnǚ on a three-night streak!

“Mother,” I begin, but she cuts me off.

“You have to wear it! You need a husband…” I can see the desperation in her eyes. Most girls my age are engaged at least, and I, delicate, clever Chang, was her favorite from the moment I turned up on her doorstep. Even in my raggedness, Māma always says she saw “potential” in me. It has never been lived up to. Forget proposing—I’ve never even had a boy even look at me. Why does she have to do this to me?

Fen walks in the room and eyes me up and down, glaring, and I know exactly what she’s thinking: Why does Chang always get all the good stuff? Why does Māma even care about her? I never should have brought her to our house. I do pity her a bit. She was the one who mistook me for her mother’s sister-in-law’s cousin’s daughter on the streets, so technically, I have nothing to do with it.

I remember that day. I was on the run again after being chased out of the alley I had been living in. Fen and Māma were traveling, visiting some diplomat or other. I was ten years old.

“Hey! I know you!” she said. “Aren’t you the disowned Li girl?”

I wasn’t. Never will be.

“No Chinese,” I said . “Ahni, ahni,” No, no. I was lucky that Fen hadn’t understood me, otherwise I would have been arrested straightaway.

“Oh, you poor thing,” she replied, in the affected sympathy that all wealthy people master. An eight, maybe nine-year-old girl, giving me that condescending face? I didn't care if she was clothed in the finest blue silk I had ever seen, she was eight! For a moment, my old Korean spirit flared up inside me before fatigue won out. I just whimpered. “ You've gone wild. Can you understand me? Can you still speak Mandarin?”

I just kept shaking my head, unable to understand her. She sighed.

“I’ll bring you to Māma and we’ll see if you can come with us, okay? We have a very nice house.” Fen took my hand firmly and walked me up to a lavish carriage, where I was received with mild surprise but general graciousness. They petted me and murmured. I didn't know what they said about me, but it looked as if Fen was begging for me to be taken in.

Eventually, Māma agreed, even though she was muttering something in Chinese the whole time.

Fen catches me looking at her, wearing my reminiscing face, the one she hates, and her gaze snaps up to meet her mother’s.

“Māma, can you do my eye shadow?” she says with a container of gold glitter in her hand. Actually, her whole body is covered in a golden shimmer. I have to bite my tongue to keep myself from bursting out laughing. I got her a bottle of bath salts for her birthday that was about half this golden, shimmery stuff. I thought that she might take it as a fashion statement, but I never thought she would wear it like makeup. Her dress is a floor-length Mandarin collar that is so insanely tight around the waist, I have no idea how she’s breathing. It has a slit up the left leg that goes only a couple inches shy of her underwear and tiny blue flowers for the buttons. The silk looks about twice as expensive as mine - I am at a loss as to how she convinced Māma to buy it - and it’s a brilliant lucky red. Those are the only colors on the thing besides, yes, gold. Even the embroidery of the birds and flowers is all in gold. She has on golden false eyelashes, gold pins holding her hair into a bun with a gold tassel hanging down from the largest one. What was she possibly thinking?

“Hold on, Fen,” Māma says, squinting at me critically and ignoring Fen for the moment.

“I’ll do it,” I say, stepping over with my hands out.

“No, you never do it right, I’ll do it myself.” she says abruptly, running out the door. I really wish she didn’t hate me quite as much, or at least respected my makeup application skills enough not to go running out when I offer to do it. I sigh and turn back to my mother. She straightens and smiles.

There is a rap on the door. Without waiting for Māma to let him in, Chao, our butler, enters the room. I nod to him. He nods back, then turns stiffly to my stepmother.

Nǚshì, madam, the driver wishes to see you,” he says, always much too formal. Māma finally tears her eyes from my dress (or should I say scrap of silk) and follows him downstairs.

“Chang, find Fen and do her eye shadow, please,” she says as a last reminder. I know that Fen will already have done it, so instead I nod and concentrate on arranging my neckline to conceal as much as possible. The party is in half an hour away, and at Ambassador Hu’s house, too - I groan. Though no one ever talks about it, Ambassador Hu is tacitly known to love encouraging young people’s relationships and has one too many empty bedrooms with locks in his house.

In that time, Fen has sidled back into the room, eye shadow on as I expected, looking haughtily and somewhat jealously at my almost completely exposed chest.

“Chang, give up trying to hide yourself. Just go to the party and have some fun for once.” she says, taking me completely by surprise. She sighs irritatedly. “The boys have been waiting forever to catch a glimpse of you. I’ve told them all about my beautiful sister.”

I look at her almost pleadingly and disbelievingly. Fen, helping me out? “How do you enjoy it?” My throat feels sticky, like I’m going to cry. “It’s just... I... it feels so...” revolting, positively disgusting, morally wrong?... “unnatural.”

She gawks at me. “What do you mean, Chang? How should it feel? Most girls your age have already been engaged! Get used to it. Guys like girls. You act all coy and they’ll like you even more.”

I pause, looking for words. “That’s what I don’t like. That whole shower-of-sparks romance thing. It just... feels like there should be... something else.” I start to realize what an idiot I’m sounding like, and how strange this situation is. Fen and I never talk, ever. Generally, we try ignore each other except for Fen throwing venomous glances my way.

“Then what should there be?” she throws her hands up.

I look down at the floor. “Respect, happiness,” I whisper. “A good Confucian household. A relationship that will last beyond two months.”

She looks at me like I’m crazy, though I should be used to that by now. Then her face softens. “When we took you in... I’d always wanted an older sister. Somehow I thought you would be that for me,” she says, then pauses. “You aren’t really the disowned Li girl, are you?”

I’m speechless for a moment, and I consider lying, but in the end, it doesn’t feel right. Fen has never spoken this nicely to me and I want to reciprocate. “No.”

“Well,” Fen sighs. “I guess I’ve always known that. Let’s go; we’ll be late if we stay any longer. Give the boys something to look at, for my sake at least.”

“I can’t.” Even as I say it, I’m pulling up my neckline.

“Just try not to blow it for me, too, then,” Fen says huffily, as if I am an obstinate child. I may as well be. She spins on her heel. “I, for one, plan on having some fun.” she says, looking over her shoulder sharply. Then, with all the drama of a well-bred Chinese socialite, she storms out of the room with a flourish. Wrestling with my feelings about the seduction Fen is advising me to use and why she suddenly broke down in front of me, I can only stare at Fen’s lithe frame and the ridiculous, revealing slit in her dress. Obviously, she’s chastising me even as she walks down the hall - she’s purposely overexposing her leg. I look down at my shoes, disgusted, and try to ignore the salty teardrops falling on my bare collarbone.
Read More
At first, the miller’s daughter wasn’t sure what she was seeing. The dimensions of this new place were beyond her comprehension, and for a moment all she and Lorabeth could do was gape like dumbstruck fish. Then they felt an indescribable liberation of their souls, a floating sensation that baffled them until they observed that they were rising through an amorphous column of fog, damp and sweet-smelling. It must be that they were flying.

Their heads came up out of the cloud, lightly drizzled with unfallen rain. The miller’s daughter asked herself where they might be, and a surprisingly firm voice in her mind answered that of course they were in the sky, though the sky above what place she did not know. Around her she saw others, white-haired grandmothers smiling beatifically, middle-aged women analyzing their surroundings, and very few younger girls, perhaps as young as nine summers. A panic seized her as she considered the possibility of having died and come to the after-place. Yet the countenances of all those there did not match the shock of a quick death. And there were no boys or men—and as far as she knew they did have to die sometime. They must have come on the same train as her and Lorabeth, she decided.

A citadel, at once austere and welcoming, seemed to appear as if being shaded in by an artist’s charcoal stick. The miller’s daughter had always loved the way a piece of charred wood was given a second chance and was used to draw the world it had grown strong in. Everyone began to gravitate towards it, not really aware of where their feet were taking them. The doors beckoned to them and the miller’s daughter suspected a trick.

As they entered a cavernous hall, she thought that this castle was much like the Grand-Palace she had imagined in the capital city of her own kingdom. But as a girl whose life had been fraught with taunts, despair, broken, promise, false friends—all of this had made her distrustful. This was too good to be true. Time was in a muddle, and as for space? Distance had become irrelevant. Maybe she had simply slipped out of one dream and into another.

Nevertheless, her careful steps echoed on the marble floor. At the far end of the hall (which looked to be quite a long way, distorted space notwithstanding) she could barely make out a throne, gleaming in the soft light of the fog-land. It was ethereal and somehow ominous, a blatant dichotomy just like this world she lived in. Lorabeth seemed oblivious to any possible suspicion and the miller’s daughter debated with herself about whether Lorabeth was real. She would be quite saddened if she wasn’t; the distantly cheerful merchant girl had become her first new friend in too long.

The hall seemed endless and walking was slow going, and normally, the miller’s daughter thought, people would have picked up their pace by now. A tinge of rotten seemed to permeate the whole setup and the silence was nerve-wracking. She began to march forward with exaggerated urgency to instill, possibly, a sense of direction in her surrounding peers. The littlest saw her advance and saw a leader, a sister, a surrogate mother. They thronged around her and that motley crowd of girls headed determinedly for the silver chair. The older ones—and Lorabeth—still stared as they walked in a hushed procession, sometimes reaching out to stroke the wall with an otherworldly reverence. As they slowed more and more they seemed to become part of the wall.

They actually looked as if they were steadily becoming ghosts, and the miller’s daughter couldn’t part with Lorabeth. Wildly she took hold of Lorabeth’s arm and dragged her away. The force seemed to sever a link and she looked about as if awakening from a dream.

Rushing to the front of the little girls’ clump, the miller’s daughter saw the throne come jarringly close and they stopped. The enduring silence turned into awkward time-killing. The monster that seemed to reign here was laughing at them, she was sure of it. It was a raspy cackle, a nightmarish sound.

They waited for it to show itself. The fluid-time took over again and the youngest of the group fidgeted. The miller’s daughter felt impatient, a hidden fire now giving out smoke inside her. This cowardly thing was lurking, whatever it was, and it angered those girls.

“Come out, you!” the miller’s daughter cried. “You, whatever you are! We’re here!” The others nodded their assent vigorously. Some of the young women had reached the mass of girls. Horrifyingly, their skin was translucent. A thing film of light lined their bodies and ringed their heads. There was a definite feeling that something in them was leaving. The miller’s daughter brought them into the center of the huddled throng and led the girls in clamoring for the appearance of the unknown master of the house.

Spurred on by the smaller voices around her, the miller’s daughter shouted boldly. Lorabeth was becoming steadily more opaque and the pinkness was returning to her face. She gripped the miller’s daughter’s hand with instinctive warmness. Soon peer pressure had her shouting as well. The solemn hall was chaos as a growing crowd shouted at the empty chair and the half-women frantically tried to block out the noise. They seemed disturbed in their wonderful little world, trapped inside their own minds and the lure of the hall.

From behind the throne several drum-like booms sounded. A figure materialized on the throne, flickering in and out of existence. The miller’s daughter jumped back, suddenly, inexplicably afraid. The woman—for she was, unmistakably, a woman—commanded a powerful respect and some of the more transparent women began to grovel at her feet. She possessed some sort of ancient might, an all-seeing, all-knowing entity. The miller’s daughter shivered; her penetrating gaze made her feel like cornered prey.

Then the woman on the throne smiled, and it was here that the entire hall was struck by the knowledge that she could not be anything but a queen. It was like sunlight breaking through a fog, and indeed, the miller’s daughter saw, the fog outside was clearing.

“Welcome,” the queen said. Her voice was sonorous, mellifluous, and hearing it was like being in the forest again. “You are all hungry. Come, let us eat.” The miller’s daughter thought it perplexing that she said they were hungry as a fact rather than an assumption. She had felt neither hunger nor thirst on the train. In response, her stomach growled loudly, arguing that she was still human and therefore needed food. The older women had already rushed to the long stone table that had been set before them. She hesitated, but her stomach gave in. Soon she was seated beside Lorabeth and savoring the heavenly aroma that wafted out from a room to the left of the throne. Something clattered and glass could be heard breaking. The queen’s features grew stormy and she swept out of the room.
Read More

Okay. Isn't that just beautiful?

This is the cover design, done by the AMAZING Fena Lee of .book cover design, for my NaNoWriMo novel, The Universe Quilt. (You can view chapter posts at http://lifeisinexpressible.blogspot.com/search/label/the%20universe%20quilt.)

Fena's website is at http://pheeena.com. She has a portfolio and the best website design and EVERYTHING. I can't even explain how much symbolism and dedication and OH MY GOODNESS AWESOMENESS went into this. Fena is super nice and wonderful and my, my, my, I must stop gushing!

But anyway. That's it. Now marvel at the awesomeness. :)
Read More
He trains my hands for war, so that my arms can bend a bow of bronze. —from the Song of David (2 Samuel 22:35)

The Bronze Bow, written by Elizabeth George Speare (author of The Witch of Blackbird Pond) won the Newbery Medal in 1962. This gripping, action-packed novel tells the story of eighteen-year-old Daniel bar Jamin—a fierce, hotheaded young man bent on revenging his father’s death by forcing the Romans from his land of Israel. Daniel’s palpable hatred for Romans wanes only when he starts to hear the gentle lessons of the traveling carpenter, Jesus of Nazareth. A fast-paced, suspenseful, vividly wrought tale of friendship, loyalty, the idea of home, community . . . and ultimately, as Jesus says to Daniel on page 224: “Can’t you see, Daniel, it is hate that is the enemy? Not men. Hate does not die with killing. It only springs up a hundredfold. The only thing stronger than hate is love.” A powerful, relevant read in turbulent times.


This wasn't really something I would've normally read.

For instance, it's historical fiction... and Christian historical fiction at that. I'm not saying I have anything against Christians (I know some perfectly nice ones), but I don't like reading anything religious.

Daniel was a weird guy. I was kind of asking myself why he wouldn't just let go, and why he could be so blind to the needs of everyone else around him. He was so frustrated the entire time, and it was a little unpleasant to read. He was so mean and impulsive most of the book, and it wasn't until the very end that he kinda-sorta learned to control his anger.

My favorite character by far was Thacia. She was so proud and brave and strong. She helped Leah as well, which immediately puts her into my good books. Unfortunately, she is also kind of in love with Daniel, so uh... yeah.

However, the ending moral of the book was powerful and Daniel does change a bit, so it's an okay thing, I suppose. I don't think I could justify the Newbery, though. It all happened too fast and in a whirl.

Still, give it a try if you're bored :)
Read More
Next PostNewer Posts Previous PostOlder Posts Home